Wheat & Essential Oil Heat Pack – Ngalyipi

$54.95

This Wheat Heat Pack is made from all natural textiles; cotton, linen and chenille. Pure essential oils are stirred with positive energy through the Australian wheat. Removable cover. Perfect for  your meditation, relaxation or aches.

THREE EASY STEPS TO WELLNESS!

  1. Heat
  2. Place on your body
  3. Feel the heat, smell the fragrances & drift off into relaxation

Two essential oil blends to choose from;

‘Calming lavender’ or ‘Bliss rejuvenation Bergamot, ginger, sandlewood & vanilla’

This incredible Indigenous art work is by Artist: Mekeisha Napanangka Martin,  Title: Warlu Mina Mina Jukurrpa (Ngalyipi)

Description

This incredible Indigenous art work is by Artist: Mekeisha Napanangka Martin,  Title: Warlu Mina Mina Jukurrpa (Ngalyipi)

In the Dreamtime, ancestral women danced at Mina Mina and ‘karlangu’ (digging sticks) rose up out of the ground. The women collected the digging sticks and then travelled on to the east, dancing, digging for bush tucker, collecting ‘ngalyipi’ (snake vine [Tinospora smilacina]), and creating many places as they went. ‘Ngalyipi’ is a rope-like creeper that grows up the trunks and limbs of trees, including ‘kurrkara’ (desert oak [Allocasuarina decaisneana]). It is used as a ceremonial wrap and as a strap to carry ‘parraja’ (coolamons) and ‘ngami’ (water carriers). ‘Ngalyipi’ is also used to tie around the forehead to cure headaches, and to bind cuts.

The women stopped at Karntakurlangu, Janyinki, Parapurnta, Kimayi, and Munyuparntiparnti, sites spanning from the west to the east of Yuendumu. When they stopped, the women dug for bush foods like ‘jintiparnta’ (desert truffle [Elderia arenivaga]). The Dreaming track eventually took them far beyond Warlpiri country. The track passed through Coniston in Anmatyerre country to the east, and then went on to Alcoota and Aileron far to the northeast of Yuendumu and eventually on into Queensland.

In Warlpiri paintings, traditional iconography is used to represent the Jukurrpa and other elements. In many paintings of this Jukurrpa, sinuous lines are used to represent the ‘ngalyipi’ (snake vine). Concentric circles are often used to represent the ‘jintiparnta’ (desert truffles) that the women have collected, while straight lines can be used to depict the ‘karlangu’ (digging sticks).”

 

 

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